On 27 January, the anniversary of the liberation of the Auschwitz-Birkenau German Nazi Concentration and Extermination Camp, the International Holocaust Remembrance Day is commemorated. Established by the UN General Assembly in 2005, the day honours the Jewish victims of the Holocaust and the millions of other victims of Nazism.

More than 80 years later, this date continues to prompt fundamental questions: why do we return to these events so many decades on? Why does Auschwitz-Birkenau still command global attention? And is remembrance alone sufficient to ensure that such crimes are never repeated? These are the questions the European Network Remembrance and Solidarity (ENRS invites reflection upon as part of its annual campaign marking International Holocaust Remembrance Day.

International Holocaust Remembrance Day, observed on 27 January, also raises another pressing question: how do we speak about the Holocaust as its last direct witnesses pass away? One possible answer lies in art – created in extreme conditions, often in defiance of the logic of the camp system, and today serving as a unique form of testimony. This perspective underpins ENRS’s information and education campaign “The Art of Remembrance”.

Auschwitz-Birkenau was the largest German Nazi concentration camp and extermination centre. Between 1940 and 1945, approximately one million Jews and around 100,000 people of other ethnicities – including Poles, Roma, and Soviet prisoners of war – were murdered there. The systematic extermination continued until the final days of the camp’s operation. On 18 January 1945, just days before the Red Army entered the camp, nearly 60,000 prisoners were forced onto death marches, during which around 15,000 people perished.

While Auschwitz has become the most recognisable symbol of the Holocaust, this unprecedented crime against humanity took place wherever the reach of the Third Reich extended. As a result of the Shoah, nearly six million Jews were murdered, around half of them in concentration and extermination camps.

In the spirit of responsibility for the present and concern for the future, ENRS takes part each year in the commemoration of International Holocaust Remembrance Day. In 2026, this engagement takes the form of the “The Art of Remembrance” campaign – a multilingual set of educational materials that highlights a lesser-known dimension of the history of camps and ghettos: places designed for dehumanisation, where works of art nevertheless came into being. Sometimes created in secrecy, sometimes commissioned by the perpetrators, and sometimes serving as deeply personal records of a world meant to leave no trace, these works were made with whatever materials were available. Once a means of survival, they now serve as acts of remembrance.

This year’s edition of the campaign focuses on Marianne Grant, a Czech-Scottish artist of Jewish origin who survived the Holocaust, having endured the Theresienstadt ghetto as well as the Auschwitz and Bergen-Belsen concentration camps. A short film dedicated to her recalls the colourful drawings she created in the ghetto and the camps, often with children in mind, for whom drawing became a brief moment of respite from camp reality. It was this art, as Grant herself emphasised, that saved her life.

How can you join the International Holocaust Remembrance Day campaign?

Find out more about the ENRS’s commemoration of the International Holocaust Remembrance Day here.